#Eminem 8 mile battle movie

Grazer was into hip-hop well before he launched this project. Does he have the will and the skill to follow the path the man playing him followed В— from the street to the local clubs to recording to fame and fortune? We don't know.ДЄnd that's pretty much where the film's lead producer, Brian Grazer, and director, Curtis Hanson, want to leave us.

#Eminem 8 mile battle movie

But the movie leaves him striding down a dark street alone with his thoughts. And yes, having spent the week in other kinds of battles (some of them bloody) with his peers, his lovers, his mother's feckless housemate, his boss and his broken-down car, he wins his next rap battle В— spitting vicious venom against a time clock. Yes, when we meet Jimmy, he has choked before going into 'battle' at a local rap den, unable even to open his mouth and exchange rhythmic insults with his opponent. But the movie, wisely, doesn't push that conceit too far. Against their better judgment, they may even respond to the good nature, even the innocence, of this movie, its desire to В— well, yes, let's use the deadly word В— educate us about a world of scabrous lyrics and occasional murderous violence.ДЁ Mile borrows from the Star Is Born syndrome: talented tyro overcomes unlikely origins, his own insecurities and the world's indifference to emerge a winner. His acting has the potential to draw in, even enchant people to whom hip-hop has been just a scary blare of rage emanating from the car drawn up next to them at a stop sign. PHOTOS AND GRAPHICS At The Epicenter Paths to Pleasure Quotes of the Week This Week's Gadget Cartoons of the Week

SPECIAL REPORTS Coolest Video Games 2004 Coolest Inventions Wireless Society Cool Tech 2004 LATEST COVER STORY Mind & Body Happiness Jan. He's a kid with the ability to put a sullen but seductive face on an open heart. Now his screen debut shows that he has it in him to become an authentic movie star. With his music, Eminem succeeded beyond any fantasy. That was once the dream of Eminem, who comes from the same place and the same hardscrabble background. Jimmy (Eminem) is a white guy with a gift for hip-hop, that blackest of pop-music genres, who has the implausible dream that his art might lift him out of hopelessness. His pals are street dumb, clueless and infinitely distractable dreamers hanging around one of the bleakest slums anyone has ever dared to place on film В— Eight Mile, the road that separates Detroit's essentially black ghetto from the white world.

He works a dead-end job in a stamping factory. Take your loss.Mother lives hand to mouth in a grim trailer park. A lot of the people involved are upper-echelon dudes, so why don't they just sell out an arena and let the crowd decide? End it like that. Every rhyme is about putting a gun to somebody's head or something. 'There were no threats about killing your family or any nonsense like that,' he said. One of them was actually Proof from D12.'ДЄfter his battles with Supernatural and countless others, as well as his work on '8 Mile,' Craig G said rap battles have changed dramatically since he was a young fan. I must have battled seven or eight dudes. 'We heard hip-hop music in it, and it was after one of my battles with Supernatural, so they started calling me out on the mike. 'We left the hotel and went walking and we saw this hole-in-a-wall club that looked like an abandoned warehouse,' he said.

While in Detroit several years ago, he happened upon a bustling battle rap scene. 'They were leaning on a lot of different areas that I'm not familiar with and, let's say, refused to get familiar with.'Д¬raig resumed releasing music in the mid-1990s, mainly singles on tiny independent labels. 'The way that hip-hop was going at that point, I didn't feel like I fit in with the type of stuff I do,' said Craig, now 31. Fortunately, his mother had signed a clause into his contract that prohibited him from spending his money until he was 21, so he was financially solvent even though he was no longer in the limelight. And while he made some money from the albums and his subsequent touring (frequently in Europe), he soon lost interest in releasing the kind of violent, materialistic music that was becoming increasingly popular. Still, Craig's lyricism was unable to propel his first two albums, 1989's 'The Kingpin' and 1991's 'Now, That's More Like It,' into mainstream success. 'Craig epitomizes pure `rap,' as opposed to the amalgamation of music, fashion and culture hip-hop has become,' said Isaac Perry, a Chicago-based journalist who writes for rap magazine XXL, among others.